Why the Right Gear, Not the Best Gear, Is Essential: By Jordan Steele


I found a great article that I hope will help you newcomers to photography, a bit wisdom in buying your 1st camera and/or more gear. Although, the <Photographer> is the one who designs the photograph in their mind, before the shutter is pushed. The Gear needs to be a good fit for the Photographer. Buying the latest-and-greatest, isn’t always the <best> fit for the photographer, and their style of shooting.

Here is the link:

Why the Right Gear, Not the Best Gear, Is Essential: By Jordan Steele

 

The Olympus E-M5 using Dramatic Tone: by Tamer Erdem


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Link >> The Olympus E-M5 using Dramatic Tone: by Tamer Erdem

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Though the basic principles of photography are still valid, digital photography changed the rules of the game when it comes to post/in camera-processing. Post-processing or in camera-processing facilities and potential are almost endless and much more effortless in digital era. Art filters were introduced by Olympus a couple of years ago. After Nikon D300, when I purchased my first Olympus, E-P1, I really fell in love with pinhole effect and grainy black and white art filters.

Then I got E-P2 and like new diorama filter that miniaturize the scene. But the ultimate filter that I can desire was offered by OM-D, E-M5; dramatic tone filter for landscape photography. If you do not have enough time for post-processing and like some punchy, strong and slightly surreal landscape images, go for it without any hesitation.

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Streetshooting the Olympus OM-DE-M1 By Robin Schimko


S-HUFF BlogAn interesting article on “Steve Huffs Blog on Robin Schimko uses the Olympus OM-D E-M1 for street photography.

Link >> Streetshooting the Olympus OM-DE-M1 By Robin Schimko

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The last couple of years I was shooting DSLR full frame bodies only and I didn’t care much about mirrorless cameras. After a while I realized that taking candid pictures out on the streets is a lot of fun. The only problem was the bulkiness of my camera that seemed a little intimidating when people noticed me taking their picture. It would have been an easy solution just to step back a little and take a longer lens, but that’s not me since I like to get close. So I got myself a Fuji X100s but even though I really loved it, the AF frustrated me from time to time and I sold it.

Then I started researching about mFT cameras and that’s when I stumbled upon stevehuffphoto.com and I was blown away by his work. That’s why decided to jump into the Olympus system and I bought the E-P5. I was shocked about the super-fast AF system and the pretty good image quality. The only thing I was really missing was a proper grip and suddenly Olympus came out with their new flagship, the E-M1. A couple of weeks later my local camera store had the E-M1 in stock and I went there to try it out. I couldn’t resist and bought one. Usually I am not that guy who is changing his gear so rapidly but the mirrorless world was new to me and I had to find out what would work best for me.

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Review: Olympus OMD EM10: by Phoblographer


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Link >> Review: Olympus OMD EM10

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As the entry level camera in the OMD lineup of the camera, the OMD EM10 is a camera that many looking to get into the mirrorless world will want to reach for. With some of the fastest focusing performance that we’ve seen from a mirrorless camera and a great JPEG engine output, what more could one ask for?

When Olympus created the EM10, they took a bit of their EM5, EM1, and the EP5 and put it in a budget conscious camera. Indeed, we think that most folks should skip what a sales person will tell you about buying a DSLR and just spring for this camera.

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Panasonic Announces Summilux 15mm f1.7 for Micro Four Thirds, Available for Pre-Order


From the Phoblographer:

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LINK >>> Panasonic Announces Summilux 15mm f1.7 for Micro Four Thirds, Available for Pre-Order

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Finally, half a year after the development of this lens was first disclosed by Panasonic, the Leica DG Summilux 15mm f1.7 ASPH. has now been officially announced. The lens is the first Micro Four Thirds lens to feature a physical aperture ring and looks almost like it belongs on a proper Leica rangefinder camera. Unlike a proper Leica rangefinder lens, though, the designation ‘Summilux’ is a bit misleading as its initial aperture is really only f1.7, and not f1.4.

The lens sports an internal focusing mechanism that promises super fast autofocus when combined with Panasonic’s latest Lumix G camera models that support 240fps sensor readout. It sports 9 lenses in 7 groups, three of which have aspherical surfaces. To further boost image quality, the 15mm f1.7 Summilux has been treated with Panasonic’s Nano Surface Coating.

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Olympus M.Zuiko 25mm F1.8 Lens Review Part 2: Comparison with Panasonic Leica 25mm F1.4 by Robin Wong


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Link >> Olympus M.Zuiko 25mm F1.8 Lens Review Part 2 by Robin Wong

Snip >> All the following below is taken from Robin Wong’s article linked above!

50mm F1.8 vs F1.4 Perception Argument
If you come from Canon and Nikon  background (both are great brands, I am not implying anything negative here, so please spare me some torture in the forums) you will surely be aware of the existence and more importantly, the stark difference between two main versions of the 50mm prime lenses, namely 50mm F1.8 and 50mm F1.4. The 50mm F1.4 is universally known and agreed to be the superior lens in comparison to the 50mm F1.8 lens. This is true not just because of that 2/3 stop of EV faster, but also in terms of optical quality and performance of the 50mm F1.4 being better, delivering unquestionably sharper output with better technical flaw controls (such as less distortion, better corner sharpness, less chromatic aberration, smoother bokeh, etc). There is no debate that 50mm F1.4 is surely better than 50mm F1.8, and this fact is further emphasized in the huge difference in pricing, with the 50mm F1.4 costing about 3-4 times more expensive than the 50mm F1.8. The truth and reality for those familiar with Canon and Nikon lens system are much simpler and straightforward. However, this does not apply to Panasonic 25mm F1.4 vs Olympus 25mm F1.8 lenses at all.
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Bokeh Compared:
Panasonic at f/1.4                                                                           Olympus at f/1.8
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Olympus M.Zuiko 25mm F1.8 Review Part 1 by Robin Wong


OLYMPUS DIGITAL CAMERALink >> Olympus M.Zuiko 25mm F1.8 Review Part 1 by Robin Wong

snip>> all of the following is taken from Robin Wong’s Article linked above!

To carry out my shooting test on the field, I used the OM-D E-M10 for this blog entry. I tried to shoot a wide range of subjects, including environmental portraits, headshot portraits, close-up shooting of various subjects including food, as well as a bit of tight landscape. Whenever possible I did my best to highlight the shallow depth of field rendering of the open wide F1.8 aperture. On the other hand, I also explored shooting with various aperture opening, stopping down to gain maximum depth of field. So how does the M.Zuiko 25mm F1.8 lens perform, in terms of image quality (sharpness, technical control of distortion and chromatic aberration), autofocus performance, and how does the lens handle with the new OM-D E-M10?

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LENS SHARPNESS AND CONTRAST
The new Olympus M.Zuiko 25mm F1.8 lens is VERY sharp. When I was reviewing the images, the sharpness of the lens reminded me of the M.Zuiko 45mm F1.8. Although I did not do side by side comparison, I can safely testify that the sharpness level of the 25mm F1.8 is on par with 45mm F1.8 (if not slightly better than the 45mm!), very capable of resolving fine detail, and the sharpness is very even all across the frame. As usual, not a surprise coming from Olympus, the great sharpness can be achieved even shooting at F1.8 wide open with the 25mm F1.8 lens, and stopping down will improve the sharpness surely but not that significantly noticeable to me.
There is something interesting about the contrast rendering of this M.Zuiko 25mm F1.8 lens. It does seem like the images come out more punchy with higher contrast. This was especially noticeable when I switched lens immediately from the M.Zuiko 14-42mm F2.5-5.6 EZ Pancake Zoom lens. In fact the only time I remember seeing this kind of contrast level was when I was shooting with the Olympus M.Zuiko 75mm F1.8 lens. I admit that the 25mm F1.8 is not as sharp as the 75mm F1.8 (one of the sharpest lenses around in the market) but the look and feel of the images somehow came out with similar tones. This is the main reason, straight out of the camera, images from the 25mm F1.8 actually looks a tad bit better than the 45mm F1.8.
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